October 30, 2021 - Carnegie Museum

The lower portion of the Grand Staircase, built in 1907.
   
The Grand Staircase goes to all three stories.  They don't make'm like this any more!
   
Entering the magnificent Hall of Sculpture.
   
Build in 1907, the marble Hall of Sculpture replicates the interior of the Parthenon.  It was originally created to house the museum's 69 plaster casts of Egyptian, Near Eastern, Greek, and Roman sculpture. Today it exhibits works from the permanent collections, with its balcony displaying decorative arts objects from the eighteenth to the twentieth century.
   

The famous, or infamous, "Lion Attacking a Dromedary" diorama.   This diorama debuted at the 1867 Paris International Exposition. It shows a messenger riding a camel that has been attacked by a male lion.  On the ground nearby, a female lion lies dead.  A French taxidermy studio, Maison Verreaux, created this diorama in 1867. At the time, France held colonies in modern-day Algeria, Morocco, and Tunisia, where the scene is set.

There are warnings all over the display case.   "Despite this exhibit’s popularity, it reinforces many stereotypes which are highlighted here."  "Visitors and staff have shared that the scene is painful to witness."  "This diorama reinforces colonialist views."  "This diorama contains human remains."  "This diorama contains inaccuracies".  Blah, blah, blah, blah, blah......    I liked the diorama and so does probably everyone else except a few Karens.

 

   
The opulent Carnegie Music Hall, ready for the next event.
   

Looking at the side of the Carnegie Library of Pittsburgh from the interior of the museum.

One of the most tangible examples of Andrew Carnegie's philanthropy was the founding of 2,509 libraries in the late 19th and early 20th centuries.  Of these libraries, 1,679 were built in the United States. Carnegie spent over $55 million of his wealth on libraries alone, and he is often referred to as the “Patron Saint of Libraries.”

   

From Wikipedia, a picture of the entrance to the Carnegie Library of Pittsburgh.  Notice the words above the entrance, which say "free to the people".

It is said that Carnegie had two main reasons for supporting libraries. First, he believed that in America, anyone with access to books and the desire to learn could educate him- or herself and be successful, as he had been. Second, Carnegie, an immigrant, felt America’s newcomers needed to acquire cultural knowledge of the country, which a library would help make possible.

   

Also from Wikipedia, a photo of the main reading room.

Carnegie sold his steel company to J.P. Morgan for $480 million in 1901.  To give you an idea how rich Carnegie was, at his peak, Andrew Carnegie had an estimated net worth of $310 billion in 2013 dollars.  None of the current billionaires -- Bezos, Musk, Gates, Zuckerburg, Buffett, Ellison, etc. -- have more than $200 billion.

Retiring from business, Carnegie set about in earnest to distribute his fortune. In addition to funding libraries, he paid for thousands of church organs in the United States and around the world.  Carnegie's wealth helped to establish numerous colleges, schools, nonprofit organizations and associations in his adopted country and many others. His most significant contribution, both in money and enduring influence, was the establishment of several trusts or institutions bearing his name, including the Carnegie Museums of Pittsburgh.

   
Climbing the stairs to the amazing Hall of Architecture.
 
Also built in 1907, the Hall of Architecture houses almost 140 full-size plaster casts of elements of buildings found in the ancient and classical civilizations of Egypt, Greece and Rome, and from Romanesque, Gothic and Renaissance Europe. As such, it is the largest collection of plaster casts of architectural masterpieces in America and one of the three largest in the world, along with those of the Victoria and Albert Museum in London and the Musée national des Monuments Français in Paris.
   

Everything in the Hall of Architecture is a replica made from intricate plaster cast models by master craftsmen.   They look real to me.

Below is the West Portals of the Abbey Church of Saint Gilles, Gard, France -- 12th Century AD.

   
This is what the real thing looks like.
 
The abbey church is in typical southern French Romanesque style. The façade, built from 1120 to 1160, has a decorated entrance portico with three portals (the central one larger) with Corinthian columns and medieval sculpture decorations. These include, in the lower sector, a bestiary and scenes from the Old Testament; in the middle one it has statues and characters from the New Testament; the frieze and the tympana above the latter have also scenes from the same book, including the "Adoration of the Magi", the "Crucifixion of Jesus" and a "Maestà".  The frieze scenes are inspired to Roman ones. The upper part of the façade had originally also a classical-inspired decoration, which has now disappeared. The bell tower dates to the 18th century.
   
Cast of the north transept portal of the Cathedral of Saint-Andre at Bordeaux.
   
A closer look at this example of French Gothic architecture at the end of the 13th Century.
   
I shouldn't have to tell you this one.  It's a scale-model of the Parthenon, probably the most famous building in the world.
   

The Parthenon is a former temple on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patroness. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438 BC, although decoration of the building continued until 432 BC.

It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order.

Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an enduring symbol of Ancient Greece, democracy and Western civilization, and one of the world's greatest cultural monuments.

   
 
   
Cast of bust of Homer.  The original is in the National Archaeological Museum of Naples.  Or maybe the Museo di Capodimonte (an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy).
   
Cast of bust of Zeus.  The original is a Roman copy of a Greek original, sculpted in the 4th century BC, and is currently in the Vatican Museums.
   
Cast of Menander, seated.   The original is Greek, sculpted in the 2nd-3rd centuries BC, also currently in the Vatican Museums.
 

Menander (c. 342/41 – c. 290 BC) was a Greek dramatist and the best-known representative of Athenian New Comedy.  He wrote 108 comedies and took the prize at the Lenaia festival eight times.  His record at the City Dionysia is unknown but may well have been similarly spectacular.  He was one of the most popular writers in antiquity, but his work was lost during the Middle Ages and is now known in highly fragmentary form, much of which was discovered in the 20th century. Only one play, Dyskolos, has survived almost complete.

   

Cast of collosal bust of Athena.  Sculptured in Greece between 450-400 BC, the original is currently in the Glyptothek Museum in Munich, Germany.

Athena is an ancient Greek goddess associated with wisdom, handicraft, and warfare who was later syncretized with the Roman goddess Minerva.  Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name.  The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear.

   
Cast of Emperor Augustus.  The original is in the Vatican Museums.
 
Caesar Augustus (23 September 63 BC – 19 August AD 14), also known as Octavian, was the first Roman emperor, reigning from 27 BC until his death in AD 14.  Julius Caesar was his maternal great-uncle.  Octavius was named in Caesar's will as his adopted son and heir; as a result, he inherited Caesar's name, estate, and the loyalty of his legions. He, Mark Antony and Marcus Lepidus formed the Second Triumvirate to defeat the assassins of Caesar. Following their victory at the Battle of Philippi (42 BC), the Triumvirate divided the Roman Republic among themselves and ruled as de facto dictators. The Triumvirate was eventually torn apart by the competing ambitions of its members; Lepidus was exiled in 36 BC and Antony was defeated by Octavian at the Battle of Actium in 31 BC.
 
After the demise of the Second Triumvirate, Augustus restored the outward façade of the free Republic, with governmental power vested in the Roman Senate, the executive magistrates and the legislative assemblies, yet maintained autocratic authority by having the Senate grant him lifetime tenure as supreme military command, tribune and censor.
 
Augustus dramatically enlarged the Empire, annexing Egypt, Dalmatia, Pannonia, Noricum and Raetia, expanding possessions in Africa, and completing the conquest of Hispania, but suffered a major setback in Germania. Beyond the frontiers, he secured the Empire with a buffer region of client states and made peace with the Parthian Empire through diplomacy. He reformed the Roman system of taxation, developed networks of roads with an official courier system, established a standing army, established the Praetorian Guard, official police and fire-fighting services for Rome, and rebuilt much of the city during his reign. Augustus died in AD 14 at the age of 75, probably from natural causes.
 
His status as the founder of the Roman Principate (the first phase of the Roman Empire) has consolidated a legacy as one of the most effective leaders in human history.  The reign of Augustus initiated an era of relative peace known as the Pax Romana. The Roman world was largely free from large-scale conflict for more than two centuries, despite continuous wars of imperial expansion on the Empire's frontiers and the year-long civil war known as the "Year of the Four Emperors" over the imperial succession.
   
The Discobolus of Myron ("discus thrower") is a Greek sculpture completed at the start of the Classical period at around 460–450 BC. The sculpture depicts a youthful male athlete throwing a discus. The original Greek bronze is lost but the work is known through numerous Roman copies, both full-scale ones in marble, which was cheaper than bronze, such as the first to be recovered, the Palombara Discobolus, and smaller scaled versions in bronze.  The original Roman copy is currently located at the Museo Nazionale Romano, Rome.
   
The elaborate tomb of Francis II, last Duke of Brittany.  The real thing is located in the Nantes Cathedral, France.
   
 
   
 
   
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